Narrow dynamic range sounds very odd to the ear when sounds that are supposed to be loud are quiet and so on.
Dynamic range vinyl vs cd.
Vinyl vs cd fidelity.
Dust particles in the grooves of an lp cause crackles and ticks that are present and audible no matter how well you clean the record.
16 bit cd digital audio has a technical dynamic range of 96 db though many argue the perceived range is higher when taking dithering into account.
Vinyl s dynamic range is dependant on frequency because vinyl doesn t have a flat maximum output curve.
Yes vinyl was noisier.
Vinylphiles claim that cds do not sound as good as lps period.
Lp vs digital is a religious war that has been played out by various audiophiles ever since the cd format was introduced in the early 1980s.
When i cut a master for vinyl and a cd master from the same digital master tape they sounded pretty much the same except for the noise floor.
Pcm of any flavor has a flat response to fs.
The difference between the loudest and softest sounds an lp can play is about 70 decibels db.
The dynamic range of a direct cut vinyl record may surpass 70 db.
70ish db than analog analog recordings sometimes have a higher effective dynamic range because their mixes weren t made with boosting loudness as an end goal.
The first one was recorded when the dynamic range of tape and vinyl was fairly limited yet the recording retains plenty of dynamic shading and expression.
Even though digital music has a higher theoretical dynamic range 96db vs.
Lp s difference between maximum to average is around 11 56db compared against the cd recording at 11 11db and even the digital rip at 11 35db.
The dynamic range of digital audio systems can exceed that of analog audio systems.
It s just designed to.
The second one was recorded completely digitally with 90db of dynamic range to work with and it has almost no dynamic variation.
Here lp actually wins over cd.
Dynamic range is the difference between the loudest signal and the noise floor.
The dynamic range of vinyl when evaluated as the ratio of a peak sinusoidal amplitude to the peak noise density at that sine wave frequency is somewhere around 80 db.
With the above in mind i began exploring why some vinyl records have greater dynamic range rightly concluding that mastering lay at the heart of the issue.
Cds can handle over 90 db.
Consumer analog cassette tapes have a dynamic range of 60 to 70 db.
Analog fm broadcasts rarely have a dynamic range exceeding 50 db.
Cds appear to sound harsh unlistenable lacking in dynamics plus a myriad of other faults.
